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The Canterbury Tales by Night Omnibus 1-3
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THE CANTERBURY TALES BY NIGHT OMNIBUS
PAUL DOHERTY
Copyright © 1994 P. C. Doherty (An Ancient Evil)
Copyright © 1994 P. C. Doherty (A Tapestry of Murders)
Copyright © 1996 Paul Doherty (A Tournament of Murders)
The right of Paul Doherty to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
First published as an Ebook by Headline Publishing Group in 2012
Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
eISBN: 978 1 4722 0253 6
This Ebook produced by Jouve Digitalisation des Informations
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Contents
Title Page
Copyright
Letter to the Reader
About the Author
Also by Paul Doherty
Praise for Paul Doherty
AN ANCIENT EVIL
A TAPESTRY OF MURDERS
A TOURNAMENT OF MURDERS
History has always fascinated me. I see my stories as a time machine. I want to intrigue you with a murderous mystery and a tangled plot, but I also want you to experience what it was like to slip along the shadow-thronged alleyways of medieval London; to enter a soaringly majestic cathedral but then walk out and glimpse the gruesome execution scaffolds rising high on the other side of the square. In my novels you will sit in the oaken stalls of a gothic abbey and hear the glorious psalms of plain chant even as you glimpse white, sinister gargoyle faces peering out at you from deep cowls and hoods. Or there again, you may ride out in a chariot as it thunders across the Redlands of Ancient Egypt or leave the sunlight and golden warmth of the Nile as you enter the marble coldness of a pyramid’s deadly maze. Smells and sounds, sights and spectacles will be conjured up to catch your imagination and so create times and places now long gone. You will march to Jerusalem with the first Crusaders or enter the Colosseum of Rome, where the sand sparkles like gold and the crowds bay for the blood of some gladiator. Of course, if you wish, you can always return to the lush dark greenness of medieval England and take your seat in some tavern along the ancient moon-washed road to Canterbury and listen to some ghostly tale which chills the heart . . . my books will take you there then safely bring you back!
The periods that have piqued my interest and about which I have written are many and varied. I hope you enjoy the read and would love to hear your thoughts – I always appreciate any feedback from readers. Visit my publisher’s website here: www.headline.co.uk and find out more. You may also visit my website: www.paulcdoherty.com or email me on: [email protected].
Paul Doherty
About the Author
Paul Doherty is one of the most prolific, and lauded, authors of historical mysteries in the world today. His expertise in all areas of history is illustrated in the many series that he writes about, from the Mathilde of Westminster series, set at the court of Edward II, to the Amerotke series, set in Ancient Egypt. Amongst his most memorable creations are Hugh Corbett, Brother Athelstan and Roger Shallot.
Paul Doherty was born in Middlesbrough. He studied history at Liverpool and Oxford Universities and obtained a doctorate at Oxford for his thesis on Edward II and Queen Isabella. He is now headmaster of a school in north-east London and lives with his wife and family near Epping Forest.
Also by Paul Doherty
Mathilde of Westminster
THE CUP OF GHOSTS
THE POISON MAIDEN
THE DARKENING GLASS
Sir Roger Shallot
THE WHITE ROSE MURDERS
THE POISONED CHALICE
THE GRAIL MURDERS
A BROOD OF VIPERS
THE GALLOWS MURDERS
THE RELIC MURDERS
Templar
THE TEMPLAR
THE TEMPLAR MAGICIAN
Mahu (The Akhenaten trilogy)
AN EVIL SPIRIT OUT OF THE WEST
THE SEASON OF THE HYAENA
THE YEAR OF THE COBRA
Canterbury Tales by Night
AN ANCIENT EVIL
A TAPESTRY OF MURDERS
A TOURNAMENT OF MURDERS
GHOSTLY MURDERS
THE HANGMAN’S HYMN
A HAUNT OF MURDER
Egyptian Mysteries
THE MASK OF RA
THE HORUS KILLINGS
THE ANUBIS SLAYINGS
THE SLAYERS OF SETH
THE ASSASSINS OF ISIS
THE POISONER OF PTAH
THE SPIES OF SOBECK
Constantine the Great
DOMINA
MURDER IMPERIAL
THE SONG OF THE GLADIATOR
THE QUEEN OF THE NIGHT
MURDER’S IMMORTAL MASK
Hugh Corbett
SATAN IN ST MARY’S
THE CROWN IN DARKNESS
SPY IN CHANCERY
THE ANGEL OF DEATH
THE PRINCE OF DARKNESS
MURDER WEARS A COWL
THE ASSASSIN IN THE GREENWOOD
THE SONG OF A DARK ANGEL
SATAN’S FIRE
THE DEVIL’S HUNT
THE DEMON ARCHER
THE TREASON OF THE GHOSTS
CORPSE CANDLE
THE MAGICIAN’S DEATH
THE WAXMAN MURDERS
NIGHTSHADE
THE MYSTERIUM
Standalone Titles
THE ROSE DEMON
THE HAUNTING
THE SOUL SLAYER
THE PLAGUE LORD
THE DEATH OF A KING
PRINCE DRAKULYA
THE LORD COUNT DRAKULYA
THE FATE OF PRINCES
DOVE AMONGST THE HAWKS
THE MASKED MAN
As Vanessa Alexander
THE LOVE KNOT
OF LOVE AND WAR
THE LOVING CUP
Kathryn Swinbrooke (as C L Grace)
SHRINE OF MURDERS
EYE OF GOD
MERCHANT OF DEATH
BOOK OF SHADOWS
SAINTLY MURDERS
MAZE OF MURDERS
FEAST OF POISONS
Nicholas Segalla (as Ann Dukthas)
A TIME FOR THE DEATH OF A KING
THE PRINCE LOST TO TIME
THE TIME OF MURDER AT MAYERLING
IN THE TIME OF THE POISONED QUEEN
Mysteries of Alexander the Great (as Anna Apostolou)
A MURDER IN MACEDON
A MURDER IN THEBES
Alexander the Great
THE HOUSE OF DEATH
THE GODLESS MAN
THE GATES OF HELL
Matthew Jankyn (as P C Doherty)
THE WHYTE HARTE
THE SERPENT AMONGST THE LILIES
Non-fiction
THE MYSTERIOUS DEATH OF TUTANKHAMUN
ISABELLA AND THE STRANGE DEATH OF EDWARD II
ALEXANDER THE GREAT: THE DEATH OF A GOD
THE GREAT CROWN JEWELS ROBBERY OF 1303
THE SECRET LIFE OF ELIZABETH I
THE DEATH OF THE RED KING
Praise for Paul Doherty
> ‘Teems with colour, energy and spills’ Time Out
‘Paul Doherty has a lively sense of history . . . evocative and lyrical descriptions’ New Statesman
‘Extensive and penetrating research coupled with a strong plot and bold characterisation. Loads of adventure and a dazzling evocation of the past’ Herald Sun, Melbourne
‘An opulent banquet to satisfy the most murderous appetite’ Northern Echo
‘As well as penning an exciting plot with vivid characters, Doherty excels at bringing the medieval period to life, with his detailed descriptions giving the reader a strong sense of place and time’ South Wales Argus
AN ANCIENT EVIL
PAUL DOHERTY
headline
Table of Contents
Title Page
Dedication
Author’s Note
Prologue
PART I
Words between the pilgrims
PART II
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Words between the pilgrims
PART III
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Words between the pilgrims
PART IV
Chapter 1
Chapter 2
Words between the pilgrims
PART V
Chapter 1
Chapter 2
The Epilogue
To my baby son Mark and his vivid imagination
AUTHOR’S NOTE
By the mid-14th century, Oxford University had developed basically along the same lines as today. The halls or colleges and the faculties for different subjects were in existence. There was a central university administration where the proctors, as now, were responsible for student discipline.
One final note; in medieval demonology the term ‘Strigoi’ could be used to describe either the living dead or a powerful, evil spirit who takes possession of a living soul.
P.C. Doherty
The Prologue
The warm April showers had done little to clean the dirty cobbles and mud-packed runnels of Southwark. Nevertheless, the heavy rain was sweet to those who tended apple orchards, flower banks, herb gardens or just grass for grazing; the shower had also kept travellers safe as it confined the night hawks to mere grumbling in the taprooms of the shabby ale-houses that stood at the mouth of every street and alleyway in Southwark. The black, long-tailed rats, however, knew the rain had softened the mounds of refuse piled high in the sewers and now, their red eyes gleaming, were busily foraging for tender scraps. A cat keeping in the shadows of an alley wall also hunted, though it suddenly stopped, ears cocked, one leg raised, outside the cobbled yard of the Tabard inn which lay across the street from the Abbot of Hyde’s manor. The cat stared across the deserted stable yard, quickly noting that the doors were all locked and barred; no chance there to catch the soft mice shuffling among the straw or greedily filling their small bellies in the bins of bran, oats and other feeds. Instead the cat looked amber-eyed at the light and listened to the raised voices and laughter that poured through the glass of the great mullioned bay window at the front of the tavern. Above the cat, the Tabard’s sign creaked and groaned in the soft April breeze. Somewhere a horse neighed; a sleepy-eyed ostler opened the small barn door to ensure all was well and so the cat slunk on.
Inside the cavernous taproom of the Tabard, mine host Harry sat at the top of the great, long table and studied his twenty-nine customers and fellow pilgrims, his hands itching at the thought of the profit he would make both tonight and on their return from Canterbury. Harry picked up his great blackjack of ale, its froth bubbling round his mouth and nose while his wide, popping eyes once more surveyed his companions. Early tomorrow morning, before even cock-crow, they would start their long journey down the Rochester road to pray before the blessed bones of St Thomas à Becket in Canterbury. By the cock, Harry thought, a motley crew. On his left was the knight, his steel-grey hair falling to his shoulders, his face marked by lines of severity, his dark hooded eyes half-closed as he loosened his belt after a meal of partridge, quail and golden plover turned on the spit until the flesh became succulent white. The knight had said little; he had drunk and eaten sparingly, as had his son who sat next to him – a curly blond-haired squire, with face and manners as pretty as any maid’s. He had talked even less than his father but had hung on the knight’s every word, now and again stretching across with his knife to carve and dice his father’s meal. A dutiful squire as well as a son, mine host Harry thought, and one who knows full well the rules of courtesy at table.
The knight’s other companion, the cropped-headed, sun-browned yeoman in his coat of green, was listening patiently to the merchant on his left – a large braggart of a man with a proud face and forked beard under a large Flemish beaver hat which he refused to doff even when eating. Across the table, on Harry’s right, the crafty-eyed lawyer was describing to the wealthy franklin a meal served to him at the Inns of Court. This lover of good food, with his daisy-white beard, listened carefully, licking his lips at the lawyer’s description of the baked meats, fattened peacock and tangy fish sauces. Harry grinned to himself. He was glad he was not sitting next to the tousle-haired cook, who boasted he could prepare the sweetest blancmange. As the cook had sat down, thrusting one leg over the bench, Harry had glimpsed the open sore on the man’s bare ankle. ‘He will prepare no blancmange for me,’ Harry quietly vowed to his old friend the shipman.
The host was also keeping an eye on the summoner with his fiery red face, black scabby brows and scanty beard. The man was covered with pustules, white and red, and his nose was fiery as a coal from Hell. He had, since his arrival at the Tabard, downed as much strong drink as all the other pilgrims put together. The summoner did not care a whit but, like the god Bacchus, wore a garland on his head. Nevertheless, he was still a man to watch for; Harry had twice glimpsed him trying to lift the trinket bag of silk that dangled from the franklin’s belt. The other pilgrims were just as mixed. The lean-visaged pardoner, with his pouches full of rubbish to sell as relics, was a veritable scarecrow with his long yellow hair falling lank as a piece of flax around his shoulders. Beside the pardoner sat a reeve, thin as the pole he carried, hot-eyed, red spots of anger ever present on his high-boned cheeks, The miller was next – built like a battering ram, he was bald as an egg though his beard was red and long as a tongued flame. Harry looked once more at the miller and closed his eyes. He only hoped the loud-mouthed bastard would not pick up his bagpipes and start playing again. This would surely scandalize Dame Eglantine the prioress, who talked only in nasal French as she sat fingering the love locket around her neck or feeding slops of milk to the lapdog she carried everywhere.
‘You are quiet, Master Harry?’
The taverner looked down at the monk and friar, bald-headed, brown as berries, their faces glistening with good living; Harry would not trust either of them as far as he could spit.
‘I was thinking,’ the landlord replied.
‘About what?’ demanded Alice, the broad, red-faced wife of Bath. ‘Come on, sir, what were you thinking about?’ She turned and winked lasciviously at Dame Eglantine’s soft-faced chaplain.
‘I was thinking how pretty you were,’ Harry laughed.
The wife of Bath clapped her hands and her face broke into a gap-toothed grin. ‘I have danced with five husbands, I am always prepared to step out with a sixth!’ She moved her bottom, broad as a buckler, on the bench and flirtatiously adjusted the embroidered cloth around her shoulders.
Harry just stared down the table.
‘I was thinking,’ he said, ‘how we have agreed that each should tell at least two tales. One will be for the day, but what about the nights?’
‘I can keep you busy enough there.’ The wife of Bath simpered to the laughs and catcalls from the others.
‘No! No!’ Harry banged on the top of the table and unhitched a small bag of coins from his belt. ‘There’s good silver in here and, by the cock, if any man disputes it I’ll break his head with a quarterstaff! So, when we move out tomorrow to St Thomas’s watering hole, let us tell a merry tale to instruct or amuse. But, at night,’ his voice fell, ‘let it be different.’ He stared around the now quiet company. ‘Let us tell a tale of mystery that will chill the blood, halt the heart and curl the locks upon our heads.’ He looked slyly at the miller. ‘Or, if you wish, your beard. The winner, the best tale, will receive this purse!’
The assembled pilgrims murmured quietly, now fascinated by their host’s change of mood.
‘Yes! Yes!’ The pardoner’s shrill voice broke the silence. ‘Let us tell a tale of murder and death and let it not be too fanciful but spring from the heart, the life-blood, of each one of us!’
The rest of the pilgrims, full of hot food and strong wine, heartily agreed, eager to experience a tale of mystery as they sat, well fed, before the roaring fire of this or any other tavern on their way to Canterbury.
‘So,’ Harry asked, getting to his feet, ‘who shall begin?’ He glanced to his left where, throughout the conversation, the knight had hardly stirred but only gazed heavy-lidded into the darkness. Harry hoped the knight would tell the first tale tomorrow morning as they took the road out of Southwark; perhaps etiquette dictated that he should also be the first to tell a night story.
‘Sir knight!’ Harry exclaimed. ‘Do you agree?’
The knight looked up, stroking his iron-grey beard. He wiped away the crumbs from his jerkin, which was still stained from the armour he had worn. He glanced sideways at his blue-eyed, fresh-faced son.
‘I agree,’ he replied quietly. ‘And I shall speak first!’
Harry waved him to his own chair at the top of the table.